![]() In our current workflow, I would worry if it was presented it at an oblique angle to the camera you would introduce more fresnel reflection on the card and skew your results? ![]() ![]() Often the habit (at my current VFX company) is to repeat the first or last photo of an HDRI Pano to get the color checker, but generally it’s just presented to the camera straight on (with grey and steel balls attached).ĭo you have any practical suggestions on how to capture the horizontally flat color checker in a timely fashion? Your suggestion to lay the color checker flat makes a lot of sense to capture the dominant diffuse reflection. I’ve been lurking on this thread and it’s been helpful for me establishing my own personal setup.
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